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    1. Home
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    3. >Artisans in Britain, Germany and France craft the Royal Opera House's new curtains
    Headlines

    Artisans in Britain, Germany and France Craft the Royal Opera House's New Curtains

    Published by Global Banking & Finance Review®

    Posted on April 22, 2026

    3 min read

    Last updated: April 22, 2026

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    Tags:CultureArtisansEuropeOperaCraftsmanship

    Quick Summary

    The Royal Opera House is replacing its 27‑year‑old Queen Elizabeth II–inscribed curtains with new mohair velour drapes featuring King Charles III’s cypher. Crafted by Britain’s Royal School of Needlework and made up by German‑French stage specialist Gerriets, the curtains will debut at the May 14 Sp

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    Table of Contents

    • Creation and Significance of the New Royal Opera House Curtains
    • Hand Embroidery at Hampton Court Palace
    • The Role of the Royal School of Needlework
    • Commissioning and Collaboration
    • Design Elements and Symbolism
    • Hand and Machine Embroidery Details
    • Production and Installation Process
    • Technical Specifications of the Curtains
    • Unveiling and European Collaboration

    European Artisans Create Royal Opera House Curtains Featuring King Charles III’s Cypher

    Creation and Significance of the New Royal Opera House Curtains

    By Marie-Louise Gumuchian and Frank Simon

    Hand Embroidery at Hampton Court Palace

    LONDON/VOLGELSHEIM, France, April 22 (Reuters) - In a studio inside London's Hampton Court Palace, hand embroiderer Marg Dier carefully stitches fabric foliage around King Charles III's cypher. The shiny gold insignia will adorn a new pair of stage curtains that will open and close performances at London’s Royal Opera House.

    Her stitches are small and must be very secure.

    The Role of the Royal School of Needlework

    "It's going to be going up and down at the Opera House," said Dier, a senior studio embroiderer at the Royal School of Needlework Embroidery Studio, whose clients include royalty and fashion houses.

    Commissioning and Collaboration

    The Royal Ballet and Opera commissioned a new set of stage curtains to replace those bearing the cypher of Charles' late mother, Queen Elizabeth, which have hung at the central London venue for 27 years, introducing more than 10,000 performances.

    Design Elements and Symbolism

    The new ones are once again a collaboration between the Royal School of Needlework, whose team is stitching the corner decor depicting the cypher - the initials 'C' and 'R', Charles' regnal number in Roman numerals plus the Tudor crown - and German stage equipment specialist Gerriets, which is making the deep red curtains.

    Hand and Machine Embroidery Details

    Part is digital machine embroidery, but there is hand embellishment, particularly on the crown, including colourful jewels, an ermine and a ruched red velvet cap. 

    Production and Installation Process

    Once finished, the embroidery travels to Gerriets' sewing workshop in Volgelsheim on the French-German border. There, seamstresses apply the cypher onto the corners of the curtains, made of mohair velour. They come in two parts, each measuring 9.75 metres (32 feet) wide with a 10.8-metre drop.

    Technical Specifications of the Curtains

    "The curtain model is a swag opening curtain style,” said Andreas Fraemke, senior project manager at Gerriets. "It's made of four layers... (with) three lining layers. This is to protect the curtain from the back and also for sound protection between audience and stage."

    Unveiling and European Collaboration

    The curtains will be unveiled at the May 14 Spring Gala.

    "It's a famous curtain, a famous opera house and so we are really proud... to do something like this," Fraemke said, calling it a truly European project. 

    (Reporting by Marie-Louise Gumuchian in London, Frank Simon and Timm Reichart in Volgelsheim; Writing by Marie-Louise Gumuchian; Editing by Alexandra Hudson)

    Key Takeaways

    • •The new curtains bear King Charles III’s cypher and Tudor crown, replacing the EIIR motif that spanned over 10,000 performances and 27 years (houseandgarden.co.uk).
    • •Embroidery is executed by a team of eight at the Royal School of Needlework in Hampton Court, blending over one million digital stitches with 100,000+ hand stitches in mohair velour appliqués (houseandgarden.co.uk).
    • •Gerriets, a leading stage‑equipment firm operating in Germany and France, assembles the heavy, multilayered velour curtains—each spanning 9.75 m wide by 10.8 m drop—for acoustic, fire‑retardant, and aesthetic performance (gerriets.com).

    References

    • Behind the scenes of the creation of the new Royal Opera House curtains | House & Garden
    • Classic stage construction | Gerriets GmbH

    Frequently Asked Questions about Artisans in Britain, Germany and France craft the Royal Opera House's new curtains

    1Who crafted the new Royal Opera House curtains?

    The new curtains were crafted by artisans at the Royal School of Needlework in Britain and stage equipment specialist Gerriets in Germany, with seamstresses working in France.

    2What is unique about the new Royal Opera House curtains?

    The curtains feature King Charles III’s cypher, are made with both digital and hand embroidery, and are constructed with four layers for sound protection.

    3How long had the previous curtains hung at the Royal Opera House?

    The previous curtains, bearing Queen Elizabeth’s cypher, hung at the Royal Opera House for 27 years.

    4When will the new curtains be unveiled?

    The new stage curtains will be unveiled at the May 14 Spring Gala at the Royal Opera House.

    5What materials are used in the new stage curtains?

    The curtains are made of deep red mohair velour, with hand-embroidered details, including colourful jewels and velvet for the crown.

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