Published by Jessica Weisman-Pitts
Posted on October 7, 2021
By Niklas Pollard and Johan Ahlander
STOCKHOLM (Reuters) -Tanzanian novelist Abdulrazak Gurnah, 72, won the 2021 Nobel Prize in Literature “for his uncompromising and compassionate penetration of the effects of colonialism and the fate of the refugee,” the award-giving body said on Thursday.
Based in Britain, Gurnah is the first African writer to win the award since the Zimbabwean Doris Lessing in 2007, and only the second writer of colour from sub-Saharan Africa, after Nigeria’s Wole Soyinka, who won in 1986.
His novels include “Paradise”, which is set in colonial East Africa during the First World War and was short-listed for the Booker Prize for Fiction, and “Desertion”.
“In his ten novels he has consistently, and with great compassion, penetrated the effects of colonialism in East Africa and its effects on the lives of uprooted and migrating individuals,” Anders Olsson, head of the Swedish Academy Nobel Committee, told reporters.
Gurnah left Africa as a refugee in the 1960s amid the persecution of citizens of Arab origin under President Abeid Karume’s regime in Zanzibar where he grew up, when the peaceful liberation from British colonial rule led to a revolution.
He was only able to return to Zanzibar in 1984, allowing him to see his father shortly before his death.
His selection for the top honour in literature comes at a time of global tensions around migration, as millions of people flee violence and poverty in places such as Syria, Afghanistan and Central America, or are displaced by climate change. Olsson said the committee’s choice was not a response to recent headlines, and it had been following Gurnah’s work for years.
“I think its just brilliant and wonderful,” Gurnah told Reuters when asked how he felt to win the prize. “It’s just great – its just a big prize, and such a huge list of wonderful writers – I am still taking it in,” he said.
“It was such a complete surprise that I really had to wait until I heard it announced before I could believe it.”
Though Swahili was his first language, English became Gurnah’s literary tool when he began writing as a 21-year-old.
He has drawn inspiration from Arabic and Persian poetry as well as the Koran, but the English-language tradition, from William Shakespeare to V. S. Naipaul, would especially mark his work, the Swedish Academy said.
‘CONSCIOUSLY BREAKS CONVENTION’
“That said, it must be stressed that he consciously breaks with convention, upending the colonial perspective to highlight that of the indigenous populations,” said the academy, a 235-year-old Swedish language institute which awards the 10 million Swedish crowns ($1.14 million) prize.
Gurnah’s was the second literature Nobel in a row, and the fourth of the last six, to go to a writer in English, an unusually long stretch for the prize to be dominated by a single language.
The prizes, for achievements in science, literature and peace, were created through a bequest in the will of Swedish dynamite inventor and wealthy businessman Alfred Nobel. They have been awarded since 1901, with the final prize in the line-up – economics – a later addition.
Past literature winners have primarily been novelists such as Ernest Hemingway, Gabriel Garcia Marquez and Toni Morrison, poets such as Pablo Neruda, Joseph Brodsky and Rabindranath Tagore, or playwrights such as Harold Pinter and Eugene O’Neill.
But writers have also won for bodies of work that include short fiction, history, essays, biography or journalism. Winston Churchill won for his memoirs, Bertrand Russell for his philosophy and Bob Dylan for his lyrics. Last year’s award was won by American poet Louise Gluck.
Beyond the prize money and prestige, the Nobel literature award generates a vast amount of attention for the winning author, often spurring book sales and introducing less well-known winners to a broader international public.
($1 = 8.7856 Swedish crowns)
(Reporting by Simon Johnson and Niklas Pollard in Stockholm and Justyna Pawlak in Warsaw; additional reporting by Johan Ahlander in Gothenburg, Guy Faulconbridge in London and Terje Solsvik in Oslo; Editing by Peter Graff)
By Niklas Pollard and Johan Ahlander
STOCKHOLM (Reuters) -Tanzanian novelist Abdulrazak Gurnah, 72, won the 2021 Nobel Prize in Literature “for his uncompromising and compassionate penetration of the effects of colonialism and the fate of the refugee,” the award-giving body said on Thursday.
Based in Britain, Gurnah is the first African writer to win the award since the Zimbabwean Doris Lessing in 2007, and only the second writer of colour from sub-Saharan Africa, after Nigeria’s Wole Soyinka, who won in 1986.
His novels include “Paradise”, which is set in colonial East Africa during the First World War and was short-listed for the Booker Prize for Fiction, and “Desertion”.
“In his ten novels he has consistently, and with great compassion, penetrated the effects of colonialism in East Africa and its effects on the lives of uprooted and migrating individuals,” Anders Olsson, head of the Swedish Academy Nobel Committee, told reporters.
Gurnah left Africa as a refugee in the 1960s amid the persecution of citizens of Arab origin under President Abeid Karume’s regime in Zanzibar where he grew up, when the peaceful liberation from British colonial rule led to a revolution.
He was only able to return to Zanzibar in 1984, allowing him to see his father shortly before his death.
His selection for the top honour in literature comes at a time of global tensions around migration, as millions of people flee violence and poverty in places such as Syria, Afghanistan and Central America, or are displaced by climate change. Olsson said the committee’s choice was not a response to recent headlines, and it had been following Gurnah’s work for years.
“I think its just brilliant and wonderful,” Gurnah told Reuters when asked how he felt to win the prize. “It’s just great – its just a big prize, and such a huge list of wonderful writers – I am still taking it in,” he said.
“It was such a complete surprise that I really had to wait until I heard it announced before I could believe it.”
Though Swahili was his first language, English became Gurnah’s literary tool when he began writing as a 21-year-old.
He has drawn inspiration from Arabic and Persian poetry as well as the Koran, but the English-language tradition, from William Shakespeare to V. S. Naipaul, would especially mark his work, the Swedish Academy said.
‘CONSCIOUSLY BREAKS CONVENTION’
“That said, it must be stressed that he consciously breaks with convention, upending the colonial perspective to highlight that of the indigenous populations,” said the academy, a 235-year-old Swedish language institute which awards the 10 million Swedish crowns ($1.14 million) prize.
Gurnah’s was the second literature Nobel in a row, and the fourth of the last six, to go to a writer in English, an unusually long stretch for the prize to be dominated by a single language.
The prizes, for achievements in science, literature and peace, were created through a bequest in the will of Swedish dynamite inventor and wealthy businessman Alfred Nobel. They have been awarded since 1901, with the final prize in the line-up – economics – a later addition.
Past literature winners have primarily been novelists such as Ernest Hemingway, Gabriel Garcia Marquez and Toni Morrison, poets such as Pablo Neruda, Joseph Brodsky and Rabindranath Tagore, or playwrights such as Harold Pinter and Eugene O’Neill.
But writers have also won for bodies of work that include short fiction, history, essays, biography or journalism. Winston Churchill won for his memoirs, Bertrand Russell for his philosophy and Bob Dylan for his lyrics. Last year’s award was won by American poet Louise Gluck.
Beyond the prize money and prestige, the Nobel literature award generates a vast amount of attention for the winning author, often spurring book sales and introducing less well-known winners to a broader international public.
($1 = 8.7856 Swedish crowns)
(Reporting by Simon Johnson and Niklas Pollard in Stockholm and Justyna Pawlak in Warsaw; additional reporting by Johan Ahlander in Gothenburg, Guy Faulconbridge in London and Terje Solsvik in Oslo; Editing by Peter Graff)
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